DARKNESS!!!!!!!!!!

Darkness~ Leif Jonker, 1993, USA

If Dave Mustaine’s acid wash jeans were somehow transformed into a vampire movie, that movie would be Leif Jonker’s Darkness, and holy fuck, would it ever be awesome. Purported to have been written by Jonker when he was a mere 17 years of age and shot over the course of nearly three years in a Kansas Suburb, Darkness is an ultra low-budget, high gore Vampire film featuring a small band of teen agers fighting for their lives against a legion of their now undead peers. Here’s a fun drinking game for you and your friends to play; stick a copy of Darkness into your DVD player and take a shot every time you see the most metal shit you’ve ever seen in your entire life. You will all succumb to alcohol poisoning and die instantly.

Story isn’t a HUGE part of the equation here, remember, this is said to have been written by a 17 year old. I believe it, too, the plot is about what you’d expect to see in the spiral notebook drawings of the kid in your science class who wore the exact same Cannibal Corpse T-shirt everyday and never made eye contact with anybody. As it is, the story goes as such: A wave of vampire attacks is sweeping across Kansas, hitting each town one by one. Tobe, a mullet sporting teenaged survivor of one such attack, takes to the road on a mission to hunt the blood suckers down and slay them all in an act of awesome, heavy metal revenge. Meanwhile, another group of angsty youths, who were out of town at a metal concert (hell yeah) on the night their town got hit, return home to discover the grisly aftermath of last night’s vampire onslaught, and are immediately forced to struggle for survival amongst a sea of soulless, gore caked ghouls. They soon happen upon Tobe, and decide join him in his quest, since they sure as shit aren’t getting much done on their own, and evidently his background stocking convenience store shelves has somehow prepared Tobe for Vampire combat in a way few could have predicted. Thing happen, people get chased, people get bit, and it all builds up to a climax that delivers in a big way. I’ve been told that spoiling the end of these movies is irritating, so that’s all I’m going to say, but I do want to assure you: shit get’s awesome.

I’ve chosen to include the following pictures to substantiate my claim that this shit is rad as fuck:

I believe I have made my point.

Jonker clearly loved The Evil Dead, and one can spot that films as an influence routinely throughout Darkness, but it also feels somewhat reminiscent of The Dead Next Door, partially because of it’s washy, grainy aesthetic. It sorta looks like it was shot on Super 8, although I can’t be sure, but the washed out, fuzzy look actually lends itself well to Darkness‘ bleak, suburban hellscape atmosphere. In this case, it feels like a boon, and not a detriment. Occasionally we get some pretty effective visuals, and the film is executed quite admirably considering the complete drought of budget or resources available. The special effects in particular are nothing less than excellent, Darkness makes it a point to deliver big on blood and gore, because they know that’s about all they can promise the audience. The overall experience feels something like a middle point between The Evil Dead and Violent Shit (Review), and yes, I know, that’s fucking rad as hell. Actually, I might put this closer to Premutos, as it’s significantly better made than Violent Shit… but still much less accessible or polished than The Evil Dead.

Hey, look, MORE awesome shit.

And yes, it is super, super metal. This is the most metal film I’ve seen since Transformers The Movie (the cartoon one. The good one!) There are almost no adults in the entire film, suggesting that for three years, this was easily the coolest thing to do in Wichita if you were between the ages of 15 and 20 (and you were doing homework like a sucker!). It’s just a massive legion of butt rock kids running around in the dark, being mutilated and/or horribly mutilating each other, decked out to the nines with the best fake blood a minimum wage fast food job can buy, and set to a soundtrack of gloomy tones and underground thrash metal. I hope it’s coming across that I mean this all in the best way possible, Darkness, in many ways, delivers big time on promises that much more notorious splatter films fail to keep.

I will openly admit, however, that it’s absolutely not for everyone. The acting is amateurish (or worse), many of the shots aren’t lit for shit, the sound is poor, and some cuts of the film are over-narrated with an lame voice over that doesn’t add much to the film… in other words, all the traditional pitfalls of Splatter Cinema are here in full force. If any of those things bother you, then you’re not going to love this movie much at all. As for the rest of you, Darkness is quite possibly the dragon you’ve been chasing all this time. It is a fantastic example of what it wants to be, and is, no exaggeration, one of the best splatter films I’ve ever managed to track down.

A-

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Gamera The Super Monster!!!!

Gamera The Super Monster~  1980, Noriaki Yuasa, Japan

Gamera The Super Monster was released in 1980; a full five years after Terror of Mechagodzilla, the final Showa era Godzilla film Toho ever released. Let that sink in; by 1980, EVEN TOHO had given up. Godzilla, for years a big green cash cow, had stopped bringing in enough money to warrant the production of additional films. That’s a pretty clear sign that the kaiju genre needed some time off, and yet, here we are, five full years late to the party with Gamera Part Eight, and it is the single most critically underfunded Gamera outing ever.

“Spare some change?”

Gamera The Super Monster takes the now well worn Daiei tradition of recycling old footage and runs with it to an unforgivable extreme. There is almost no original monster content in the entire film, and no original monsters. It’s basically a clip show, they’ve cannibalized footage from previous Gamera adventures and cobbled together a cheapo monster montage, with some bizarre and crummy original footage sandwiched between sequences in an attempt to hold some kind of narrative together. The story they bring us concerns a little boy (surprise!) with a Gamera fixation (I”m sure the feeling is mutual)  who winds up in the middle of some sort of intergalactic turf war. Unable to combat the nefarious invaders on his own, our kiddo throws in with three alien ladies who occasionally wear spandex superhero outfits, complete with capes, and together they work to foil the attempted conquest of Earth by a hostile alien race, who fly around in a damn Star Destroyer. Yep. A Star Destroyer.

The original effects are worse than terrible, and even the classic monster footage had to have felt positively prehistoric to audiences in 1980. This is, in a lot of ways, the Godzilla’s Revenge of the Gamera franchise, a film which makes no claim to even trying to satisfy an adult audience, instead playing straight to children, and compensating for it’s flimsy narrative with wall to wall monster combat, mostly snatched from pre existing footage- however, where Godzilla’s Revenge was a midseries celebration of ongoing cannon meant to give kids what they really wanted, Gamera The Super Monster is a cut and dry cash in attempt by Daiei and financiers to milk what pennies still remained in Gamera’s dying husk once and for all. Gamera The Super Monster isn’t a sequel, it’s more like a liquidation sale.

That having been said, there are some important concessions that need to be made before tossing this stinker out with yesterday’s ham; we are NOT the target audience for Gamera The Super Monster. This is, first and foremost, a children’s film, and it was a children’s film made for kids who probably couldn’t have just streamed Gamera’s entire catalog off of youtube illegally anytime they wanted. It’s possible that for the children of 1980’s Japan, this movie freaking kicked ass. Gamera The Super Monster plays like a greatest hits album for kids who don’t have easy access to these films in their own right. It’s all the monsters you love, and only the good parts. Then, holding the whole thing together, you get space ladies in capes flying around. Honestly, you could do a lot worse! I actually think in some weird way Gamera The Super Monster is a better kid’s film than Godzilla’s Revenge, it’s so much less bleak and depressing, our lead kid is nowhere near as annoying, and the non-monster sequences are anything but drab. Putting yourself in the shoes of a kid who had little to no access to home video, but who loved Gamera, you can probably see how a matinee showing of Gamera The Super Monster could rock your socks off like a mutha fucker.

So, through the eyes of the adult, we have the most lamentable flop in Gamera’s tragic career. For children, we have a shitty story (But who cares?) a spaceship right out of Star Wars, the MOST monsters ever in a Gamera film, and Japanese space ladies, complete with special powers which require choreographed arm movements to activate, like all Japanese people love. I am bound by honor to grade this film academically, but it’s worth an asterisk in the record books that this piece of garbage might be a masterpiece if you’re under 11 years old.

D

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D!CKSHARK!!!!!

Dickshark~ 2016, Bill Zebub, USA

And so here we are again…

Bill Zebub has again put out a movie with a title so batshit crazy that my instincts briefly had me convinced that it just had to be at least a LITTLE BIT entertaining… >sigh<…. One watch and it’s deja vu all over again, folks; Dickshark truly is the second coming of Antfarm Dickhole (REVIEW), and that’s a bad thing. Once again, this is a movie that SHOULD have been a sure thing, I mean, it’s called DICKSHARK for fuck’s sake! How could that not be good for a few laughs, at the very least?! I’ll TELL YOU how…. BILL ZEBUB, THAT’S HOW.

His hats not bad, though.

Bill Zebub is downright supernatural. He can take anything, any idea, and fuck it unwatchable with boring and pretentious bullshit. He’s like Clickbait in the form of a director, he gets your hopes up with a catchy title and an insane premise, only to then bamboozle your ass with the worst movie you’ve seen in decades (or in my case, hours). The experience of watching his movies is exactly what Charlie Brown goes through when that chick yanks the football out from in front of him at the last second, head trauma included. Fool me once, shame on you, Bill, fool me twice, shame on me. Never again, you son of a bitch.

THE PLOT~ When some creepy dude and his inexplicably attractive, alt-model type girlfriend bed down in what is probably a Holiday Inn for some red hot hanky panky, things take a turn for the worst, dickshark style. You see, this weird dude (Who I had hoped would be the star of the film because he ISN’T Bill Zebub) has stolen a mysterious bottle penis enlarging cream from his maverick scientist roommate (fucking Bill Zebub), and he has chosen right here and right now to apply this cream to his genitals. Much to his delight, it seems to take effect immediately, but it also gives his wedding tackle a “clay like” consistency, something that bothers him a lot less than it would me. “Shape it into something useful,” his girlfriend calls out. Um, alright. Naturally, he chooses to mash an incredibly crucial part of his anatomy into the shape of a fucking shark, because who wouldn’t? For reasons that are never explained (and which do not exist), this also gives his now sentient wang the behavioral characteristics of a shark, and within minutes it separates from his body and escapes, thereby becoming a small shark, and not really a dickshark at all. Over the course of the film, this creature slowly morphs into larger shark, but it’s still pretty much just a shark, albeit one that likes intercourse with human females and has multiple dong-like protrusions on it’s exterior. it’s also not in the film enough. Almost the entire movie is just director Bill Zebub, who is also the star (shocker), babbling on and on and on about who the fuck cares what as he gropes away at a slew of beautiful women who would, evidently, do just about anything to be in a movie. I’m serious, the Dickshark is almost not even in the film, it’s probably about 65% Bill Zebub babbling with secondary characters who indulge him for no reason, 25% slow motion shots of softcore sex and/or monster attacks set to shitty metal songs, and 10% other characters babbling with one another. Almost nothing of substance happens, and anything that you would hope to see in a film called ‘Dickshark‘ is here in such short supply that it doesn’t even matter. And that’s another thing, this movie is TWO AND A HALF HOURS LONG!!!! What is this, the Desolation Of Fucking Smaug!??! Zebub’s as a director is as self indulgent as they come, but making a film called “Dickshark” two and a half hours long is SO self indulgent that there should be legal ramifications. It’s so dragged out that if a competent editor got his hands on the raw footage, they could probabky craft a funny movie out of it, but that movie would last for about 4 minutes.

That was supposed to be about the plot, wasn’t it? Well, against all odds, there is a plot here, but the titular Dickshark is an afterthought in the grand scheme of things. The film is really about hubris, Zebub’s wacky, grungy, implausibly educated scientist is super irresponsible with the work he conducts, and he never acknowledges or takes seriously the consequences of his actions, even when these consequences are horribly dire for everyone around him. Ultimately, this is his undoing, but we don’t care, because Zebub can’t tell a story and really, we just want it to finally be over.

It’s worth noting that in a film about a killer penis turned shark monster, the most unrealistic thing about this movie is how freaking accommodating this universe is to the character Zebub portrays. Why would anyone like this guy? All of these films exist in a world where every patch of land, no matter filthy or out of the way, boasts an average of one nude or nearly nude woman sprawled out on a blanket or towel every eight feet, and all of these women are eager to speak to and/or be groped by Zebub for as long as he wishes. In addition to these willing females, Zebub world is also the home to a small population of males, but they exist mostly as dialogue punching bags, here to offer just enough intelligent conversation for Bill to showcase his ego, but never enough to challenge his intellect in any significant way. I don’t know what would motivate a person to craft an entirely separate universe wherein they are some sort of ultra genius, heavy metal sex god, but clearly Zebub felt he needed to do just that, and here it is… And it’s a horrible, horrible place….

According to his films, Zebub spends roughly 70 hours a week taking a knee to chat with towel lounging randos. Livin’ the dream, Bill, livin’ the dream!

And speaking of heavy metal, holy shit is there a lot of that here. Dickshark is basically just an unsolicited mix-tape made to look like a monster movie. It’s filled, start to finish, with awful, awful metal songs, each of which Zebub offers a written synopsis about at the end of the film, in an effort to further insult you with the suggestion that his taste in music may be better than yours. In fact, part of why the run time is so excruciatingly long is that these songs are so often played in full, which helps no one, least of all the audience. Dude, I LIKE metal music, but I don’t want someone else’s iPod playlist crammed down my throat, least of all Zebub’s. Sitting through these songs is a heinous chore indeed. It’s like the guy in your friend group who always wants you to watch ten minute long youtube videos that you’re not the least bit interested in. I’m like… damn, can’t I like… go to the dentist, or have a golfer whack me in the nuts with his club instead? I’d sooner die than check out these fucking bands, Bill. I’d rather be trapped in a coffin that blasts sewage stench and Babymetal tracks through hidden speakers until I clawed my own throat out and die slowly than listen to your fucking bands. For fucks sake, Bill. FUCK.

This one is really taking a lot out of me, but if we’re being fair, I think I actually like it slightly better than Antfarm Dickhole. At least Zebub is poking fun at himself more or less the entire movie- that’s not to say that it isn’t perfectly clear from the get-go that the man is a raving egomaniac, because he makes that real obvious, but he’s also apparently secure enough in his undeserved arrogance that ripping on himself in a fruitless attempt to amuse isn’t out of the question. So that’s good.

Additionally, the film benefits from a few other familiar faces, I actually caught myself feeling somewhat relieved to see actor John Giancaspro, star of Ron Atkin’s Schzophreniac: The Whore Mangler, before I realized what a truly terrible, bleak sign that was for my psyche.

This was the best and least offensive picture I could find of him with a google search… So…

I guess it’s kinda like how you would feel if you were being rounded up into some sort of torture camp with a bunch of strangers, but then you spot a guy from work that you don’t really get along with. He’s not your favorite dude, but just seeing a familiar face in a trying time is somehow comforting anyway. Plus, Giancaspro definitely gives it his all in every role he plays, so he deserves some cred.

Additionally, softcore starlet turned makeshift scream queen Erin Brown, AKA Misty Mundae,has a pretty significant role in Dickshark, and it’s kind of nice to see her.

Sure, pretend you don’t recognize her.

She’s good at what she does, she’s likable, and next to the other actors, seeing her feels like watching Meryl freakin’ Streep. While Bill really just drags the film down,  I found it a lot easier to root for these two other actors, even if I  wasn’t supposed to. Sadly, they don’t even come close to salvaging the movie as a whole,  because that’s basically impossible, but is there anything else nice that I can say about this thing? Well, it does have some nice looking girls, most of whom show plenty of skin, and I’ll admit to enjoying that. Realistically, they’re the real main attraction here, so thelat warrants a mention. Beyond that, I think there were one or two jokes that I didn’t hate, and that’s really about it. There’s really not a lot you can say about this that isn’t just ultra negative.  I mean damn, I’m trying!

I almost resent being forced to hate this movie. Are you kidding me? A movie called Dickshark? By nearly any stretch of the imagination I should be entitled to enjoy this. I really, really want to, but it’s out of my control. Billl Zebub has once against shat on birthday cakes of every man, woman, and child in the entire world. Nothing new about that.

Now, I recognize that this review has been pretty generous with the personal attacks against Mr. Zebub, and typically I try to avoid that. You might think that these jabs have been pretty tasteless and inappropriate of me, but hear me out… I do feel bad about it, but in this case… I think they’re well justified. Ya see, these movies are just drenched in Zebub’s ego, and it’s a particularly belligerent, arrogant, ugly ego, which marches right up to your face and asserts a misplaced sense of superiority in the most aggressive ways possible, and I truly believe that this needs to be a part of the conversation. It’s this element in particular that is the most detrimental to this film, and indeed, every Bill Zebub film that I have ever seen.  Now, I follow a lot of no budget directors, and I’ve seen a lot of films which objectively are pretty horrible, but if done correctly, the urge to root for the underdog kicks in, and these blemishes become endearing. This phenomenon could easily save Zebub…  if he didn’t make that completely impossible. Bill Zebub truly does believe that he’s better than you, and he make certain to say as much in every way he knows how. In order to better illustrate my point, I want to do something that I’ve never done before. Let’s take a look at the actual DVD case and Jacket design that came with my personal copy of Dickshark. Behold;

THE DICK SHARK HOME VIDEO EXPERIENCE

This is the DVD, in my hand. Don’t worry, I have lots of Purel, and my soul is irredeemable anyway. Now, let’s have a closer look at the cover.

You’ll notice the tagline. Yep. That’s the kind of wit you can expect from this little gem. You’ll also notice that Bill Zebub is not listed as the star of the film, thereby failing to warn us how much of his bullshit we’re going to have to deal with. Very sneaky, Bill. Okay, now, let’s move onto the back of the case.

The first thing that will catch your eye (Okay, maybe not the FIRST thing) is a warning printed in a red rectangle. It reads:

“WARNING: Contains scientific concepts, a story that makes you think, proper grammar, and boobs.”

The balls on this guy, huh? Yeah, be forewarned, this is not one of those STUPID movies like you normally watch, you idiots. This is an intellectual film about Dicksharks. There’s science and grammar in this one, and it makes you think! It makes you think “wow, how is someone who is so bad at what they do still so arrogant?” And the truth is, I don’t have the answer! We may never know.

Next we have the synopsis. It reads:

NO, this is NOT Porn! Porn does not look like this!

I remind you, this is what the back of the box looks like:

(…Let’s just continue.) If you equate nudity with porn, you are immature.  (And there’s nothing Bill Zebub, aging director of Antfarm Dickhole, hates more than immaturity. Also, is the back of your Dickshark DVD really the proper forum to call people out on their puritanical sensibilities toward sex?  There’s a time and a place, Bill. Maybe start a blog or something.)

“Dickshark” is the most absurd movie that directo (Yes, it says “Directo”) “Bill Zebub” has ever made. It combines tragedy, comedy, science fiction, exploitation, and surrealism (so do most kindergarten crayon drawings). Don’t let the vulgar title fool you. (That’s actually good advice.)

Yes, there is abundant nudity, but there is also a bizarre mixture of concepts that make for quite an experimental film. See what can happen when creativity has to replace a big budget.

So, first of all, that’s a very clumsily worded synopsis. Whoever wrote that is not a good writer. Who was it? Was it you, Bill? Because I thought you were some kind of genius. Secondly, Creativity?! Bill, if you want to overcome your financial disadvantage, how about you learn to let go of your arrogance and fucking try harder? Learn how to tell a story!  Take some classes!  Advance yourself in literally any way. Try! Are you even trying? If you are, it’s not showing up on the screen, so there’s a problem that needs to be addressed there somewhere. And how about the writing? The plot of this film is a fucking nightmare, it’s winding, boring, self indulgent, and completely pointless. It’s just a showcase for a monster that doesn’t live up to a tenth of its potential, nobody learns anything, we don’t care about anyone, and the resolution comes in the form of a brand new character who is introduced for no reason but to conclude the film. That technique is called Deus Ex Machina, and we learned why that was a lazy and poor way to write on literally the first day in my college screenwriting class.

 It’s really pretty astounding just how much of this jacket design is devoted solely to telling you that you’re stupid. The arrogance this man demonstrates is jaw dropping on its own, but when you juxtapose that with the inferiority of his work, you get into some next level shit. Again, were it not for the smugness, the self indulgence, and the apparent contempt for all non-Zebub life forms that he exudes constantly, maybe I could deal… And honestly, I want to. But Zebub just doesn’t let me. Bill… Your movies suck, these songs suck, and Dickshark sucks. Worst of all, though, it’s this is all your fault, and you’re kind of a dick about it. What makes your work so hard to enjoy isn’t the budget, it’s not the resources, it’s not the limitations facing an artist who has to struggle to hack it on his own, it’s you. There’s one thing holding your movies back, and it’s you, and you alone.

If you ever see a copy of Dickshark in real life, pick it up and put it in the trash.

Still a better movie than Sucker Punch.

F

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