Gamera Vs Gyaos!!!

Gamera Vs Gyaos – 1967, Noriaki Yuasa, Japan

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Daiei continues the slow, lumbering turtle March into the realm of ever-improved sequels with Gamera’s third outing, the fun, yet two-thirds insane Gamera Vs Gyaos. At this stage in the game, Daiei had indeed succeeded in steadily improving their product and tightening the quality gap that separated their Brand X monsters from the “designer jeans” beasts of Toho’s Godzilla-Verse, but they’re also starting to out themselves as being batshit wacky in the process. I don’t really regard that as being a problem, but it’s for sure worth discussing.

THE PLOT~ Tension is high. The residents of a rural, Japanese mountain village have blocked the construction of a proposed super-highway that would lead right through the heart of the pristine forest they call home. The construction can’t continue until these people all agree to sell, so the big  muckymucks back in the city tell their head foreman to really put the pressure on these guys to force a deal, but nobody is budging. We come to learn that this is because a respected elder in the village has organized this standoff deliberately, not because these people want to stay in their village, but because they all see this as an opportunity to get super rich, and they believe that the longer they hold out, the more crazy yen they stand to receive from the increasingly desperate land developers. It’s funny how sometimes life can throw you curveballs… One day, you’re leading your friends and neighbors in a crusade to get rich quick, and the next, your Grandson is riding through the sky on the back of a giant turtle, and a three hundred foot tall vampire monster is barking death rays at fighter jets in your back yard. You just never know how life is going to play out, so it’s important to keep your shit straight while you can, I guess.
Anyway, that’s what happens, a volcanic eruption (that old chestnut) opens an ancient cavern in the side of the mountain, from whence Gyaos emerges, a huge, weirdly plane shaped bat type monster who eats humans and causes crazy damage. Luckily, by this point Gamera has apparently totally reformed and is now our big, green homie, so things sort of work out for the best in the end.

The film’s moral is all about greed- as in, don’t be greedy, dude, but it also views the natural world as a cut and dry commodity and states that the deliberate burning of old growth timber is an issue only because that wood is worth money, so Gamera Vs Gyaos isn’t really going to teach you too many lessons you actually want to learn. It’s mostly just fun because it’s full of big, stupid looking monsters who really fuck each other up.

It’s pretty good, though. If you’re into these films, this one is going to give you what you want and expect from the Gamera series, and in greater quantities than the prior two films (Although I did dig Barugon.) The budget also looks stepped up again, but the single biggest change you’ll feel with Gamera Vs Gyaos is how vivid the color pallete is. This movie is very artistic and playful with the colors used, the art department appears to have been tasked with producing props and set dressing which would jazz up the film’s visuals considerably, and they absolutely have; Gamera’s old rival Godzilla wouldn’t be featured in a film which got this ambitious with color until Godzilla Vs Megalon, and even then, the colors that movie used were more basic primaries and much less inventive or stylish. Honestly, there are frames of this film that look like a fucking Wes Anderson movie, and that’s a kaiju first.

Screen Shot 2015-02-23 at 1.59.43 PMIf Steve Zissou were piloting that, who would be surprised?

The topic I most feel needs to be addressed, however, is Gyaos; how weird he is, how everything about this whole series now seems very weird in retrospect, and how Daiei must be run by complete and utter madmen. Let’s sit down and talk about this.

So, it’s now painfully, glaringly obvious that Daiei fills their movies up with really, really weird monsters. I feel like I should have noticed this before. They seem to just invent new, bizarre, and totally unrelated abilities for their kaiju on a whim, and the results are really, really strange. Barugon was weird, I’m realizing. He had purple blood. He sprayed frosty gas out of a long tongue, blasted murder rainbows out of his back, and he dissolved in water… Gamera just straight up eats fire- that’s like a treat to him! Now, Gyaos pops in, and he’s plenty weird, too. Gyaos spits powerful death rays, drinks human blood, can regrow severed limbs like it’s no big thang, and sprays yellow powder out of his nipples, which extinguish flames instantly- yet he cannot rotate his head left or right, and is alergic to sunlight. Oh, yeah, and the reason he can’t turn his head is because he has two throats. Yeah, so Gyaos is a garbled Chimera of a creature worthy of Dr. Seues’ darkest nightmares, is pretty much what I’m getting at, and the same nonchalant insanity that created him rears it’s head over and over again throughout this film. At one point, the Japanese Powers-That-Be honestly think that the best plan they have for killing the Gyaos is by getting it really, really dizzy. They set up a fountain that dispenses artificial human blood on a rotating platform, crank up the juice, and prey like hell that he fucking dies somehow. It doesn’t work, of course, probably because that plan sounds like it was conceived by a nine year old, but they try, and we watch them do it. Of course, when they come up with an idea that actually does work, and it literally IS conceived by a nine year old, so I guess whatever. The point is that this movie is pretty much bonkers, and after seeing it, you start to realize just exactly how wacky this whole Gamera thing has been from day one. I now feel somehow uneasy about the time I have spent with Gamera… Like the sensation one must feel when they’ve just dropped off a hitchhiker with whom they’ve enjoyed a long chat, only to then turn on the radio and hear a news bulletin about a dangerous, escaped mental patient matching the hitchhikers description…

gamera_1980_01

I guess maybe there were a few warning signs…

Anyway… Moving on.

As I mentioned before, this movie also further establishes Gamera as a friendly guardian to all mankind, so it comes across as more kid friendly than it’s predecessors, but there’s actually sort of a lot of monster blood in this. None of it is red, though, which seems to mater. Gamera’s blood is green and Gyaos’ is purple, so maybe that didn’t seem like actual gore in the eyes of our distant ancestors, but there’s no buts about it, these monsters are gounging and tearing at each other pretty agressivley. Honestly, that’s not gonna hurt a kid, they need to be exposed to this sort of thing sooner or later. Let your kids watch turtles getting death ray blasted at home, or some other kid is just going to show them at school, and there it’ll be out of context.

Anyway. This is another good one, and so far, these movies are getting better and better,

B+

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The X From Outer Space!!!

The X From Outer Space ~ 1967, Kazui Nihonmatsu, Japan

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In the 1960’s, the assorted motion picture studios of Japan had all come to see Toho’s Godzilla as a big, green, lumbering money factory, just ripe for exploitation, and they all knew that if they wanted a slice of that kaiju pie, they needed to rip him off, pronto, before the heat died down. Suddenly, everybody in town had some giant, crappy monster they just had to cram down people’s throats, and the race to hop on Godzilla’s coattails had begun. First, there was Daiei, and their substantially less popular yet still kinda popular turtle monster Gamera. Then, there was Nikkatsu, who gave us Gappa, just one of the modern cinema’s many creatures who found themselves overshadowed by their own rad theme song. Then, in 1967, Shochiku, gave the world Guilala, star of the Science Fiction/monster outing The X From Outer Space. Wanna make a Kaiju film? Come up with a funny name beginning with the letter ‘G.’ You are now 80% of the way there.

THE PLOT~ We Earthlings just can’t figure out why all of our astronauts keep dying on the way to Mars. Let’s look at what we DO know; we KNOW that they all report the same peculiar glitches in their onboard computer systems… We know that they all get straight up menaced by a mysterious UFO as they approach the Red Planet, and we also know that right after that, they die… But how?!? Huh! It’s a real head-scratcher… Oh well, no matter, because even if we can’t put two and two together, we damn sure can put together special mission AAB-Gamma; just another collection of doomed astronauts who we have decided to condemn to death in the cold, dark recesses of space. We’re geniuses!

doomedYou’re all gonna die, you idiots!!!

From the get go, AAB-Gamma is plagued with ill omens and terrifying space disasters, they face everything from failing equipment, high levels of radiation, asteroid showers, punctures in the spacecrafts hull, mysterious illnesses, and, of course, that damn UFO I mentioned before. They eventually have to throw in the towel and admit defeat when this malicious alien spacecraft sprays the Astro-Boat down with some sort of weird, Martian spores, rendering the vessel totally immobile for some reason. They’re saved, shockingly enough, when they’re able to send out a distress signal, but not before collecting a sample of the alien spores from the outer hull of the ship, which they bring back to Earth for study. Guess what? Monster egg; that thing hatches overnight and right around the halfway mark, Guilala makes his big entrance. Within minutes of hatching, our boy Guilala grows to a standard Japanese monster height of 300 feet, and begins his stomping/smashing career. Naturally, all of our defenses fail to repel this abomination from space, and the crew of AAB-Gamma discovers that the only hope mankind has left is in it’s ability to synthesize a compound which can subdue Guilala, and this process can only be done in the absolute vacuum of space. So back they go, into space, to make some anti-monster goop.

Anyway.

It’s pretty middle of the road. By this point, essentially every Godzilla film featured aliens prominently, so in that way, The X From Outer Space effectively hops right into the swing of things with commendable ease, and our human characters are much more interesting than the interchangeable cyphers which populated Toho’s Godzilla-verse. There’s even a love triangle in this film! It’s poorly written, but it’s there! And that’s all good! It’s more than you usually get from Toho or Daiei’s human characters. Additionally, as I’ve said before, Guilala doesn’t even turn up until right around the halfway mark, and he’s really not in the film that much, when you step back and look at it. Believe it or not, that works out in the our favor, because what we end up with for the lion’s share of the run time is a delightfully adequate 1960’s space adventure, and honestly, that’s a lot more entertaining than all this giant monster business. We run into significant trouble when this movie expects us to give a shit about Guilala, or what he’s up to, and while these sequences are fairly well done from a technical perspective, they’re noticeably more boring than the work Toho and Daiei were doing at that time.

Guilala kind of sucks, too. He might have been fine as a secondary character, maybe teaming up with Gigan or something, but on his own, out in the spotlight, it’s pretty clear that he’s just not star material. First of all, he sort of looks like Big Bird.

x big bird comImage: Sesame Street's Big BirdIt’s like I’m seein’ double!

This particular look works just fine on the mean streets of Sesame, but it’s hard to take a Kaiju seriously when you keep thinking “Hey, is that that dude who taught me to count?” Not good.  Secondly, Guilala’s limbs are all swollen, puffy, and frilled, giving him the appearance of an alien Big Bird wearing Jerry’s pirate shirt from Seinfeld.

x pirate shirt compuffy_shirt_2964582k“I don’t wanna be a pirate!” – Guilala

That’s what you’re going to remember about this friggin’ monster, he looks like Big Bird, his name is way too difficult to pronounce, and Jerry Seinfeld’s freaking pirate shirt. I’m sorry, Guilala, but by the natural law of Survival of the Fittest, you must go, for you are not fit. Go and die.

And he did, pretty much. Guilala failed to win over the Japanese theater going public, and the next time anybody saw him was decades later in Monster X Strikes Back: Attack The G8 Summit, which was a damn comedy. The X From Outer Space isn’t terrible, it’s probably a decent way to spend your time if you’re a rabid, foaming-at-the-mouth kaijuphile, but truthfuly, it’s a lukewarm experience, and certainly not a highlight of the genre.

C

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SON OF GODZILLA

Son of Godzilla~ 1967, Jun Fukuda – Japan

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THE PLOT- A group of scientists (And one plucky, interloping journalist) work tirelessly in a Son-of-Godzilla-postertop secret research laboratory located on a remote island. Their experiments, focused on climate control, backfire, heating up the island to near unlivable temperatures, as well as causing a freak mutation in the island’s already pretty giant bugs, this time making them really, really giant. Things couldn’t get any worse, just kidding, of course they can- the giant bugs dig up an egg, which hatches. The hatchling? Apparently Godzilla JR! Eager to buck the absentee father kaiju dinosaur stereotype, Godzilla trods up onto shore for some good old fashioned monster child rearing. Things with our scientists are bad, they all got weird jungle fever, there is increased tension amongst the ranks, and now the island has turned into a full on Kaiju ass-whooping zone, so these are for sure stressful days. Their only hope for salvation comes in the form a mysterious woman found living on the island, and, of course, through Godzilla’s innate skill at clobbering the hell out of anything and everything.

Son of Godzilla is good! It’s a fun one. It looks cheaper, the monster costumes look a little 2585_17620less masterfully crafted than they have in the past, although there is passable use of insect puppetry here. It’s clearly meant to be more of a children’s film than past Godzilla flicks, but it’s not so over the top that adults needs be concerned, and little Godzilla Jr. (I should stop pretending that I don’t know his name- it just wasn’t ever mentioned in this film) doesn’t approach Jar Jar levels of annoyance by any means… At least, not in this movie, he doesn’t.

Really, the biggest flaw in Son of Godzilla is that while it is clearly geared for a younger audience, it’s too slow for kids, and it takes way, way too long for the monsters to turn up. When I used to watch these movies as a kid, the human sequences were a brutal chore to endure, I always wanted that monster on the screen right now. For Son of Godzilla, there’s a lot of work leading up the monsters, and possibly not enough payoff.

Regardless, the true test of how well Son of Godzilla performs for a young audience would be to let some kids watch it. From an adult perspective, the film is lighthearted, but still very enjoyable.

Check out these cool posters.
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B

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